Qorporal Quests

Qalvinist Qosmos

In my series of works Qorporal Quests, I explore the challenges of the digital world in times of crisis by combining analog and digital techniques—ranging from charcoal drawings and flipbooks to virtual reality, augmented reality, and artificial intelligence—encouraging reflection along the way. Following works on science, climate change, and artificial intelligence, my latest work, Qalvinist Qosmos, focuses on religion. Although I have been an atheist since the age of twelve, I grew up in a Calvinist family in the Netherlands – a formative influence that continues to resonate to this day.

“Qalvinist Qosmos”, on display from January 23 to March 8 at the exhibition MeeresStern at the INSELGALERIE Berlin, consists of a large wall drawing that I will create live during the exhibition. Inspired by the Calvinist painting “The Broad and Narrow Way”, I incorporate codes into the drawing that, when scanned, generate animated augmented-reality scenes, which are projected on the opposite wall and can also be viewed on visitors’ smartphones. A central motif is the Eye of God, which – as in my childhood – watches over my every step. A special code on my back alternately reveals white and black wings during the drawing process, symbolically allowing angels and demons to take possession of me as I traverse the “broad or narrow path.”

The installation is accompanied by my new 360°/virtual reality video work “As the Deer Pants”, in which I walk the narrow path, winged, as hand-drawn animations cross my way. These works reflect my personal memories on the one hand and, on the other, examine the role of Calvinism today, where themes like sin, the devil, and the longing for God influence lives.

Exhibitions and presentations:
• January 23 – March 8, 2025: MeeresStern, INSELGALERIE Berlin.

Italia Media Art Festival

Maria Korporal was a guest artist in the first edition of the Italia Media Art Festival, which took place from the 25th to the 27th of October, as part of the Rome Art Week, at the Gazometro of Rome during the Maker Faire. She showed her augmented reality video installation QLIMATE QRONOBOT – AI and the Future of Our Planet

October 25-27, 2024 in Rome
Opening hours: 10 a.m. to 7 p.m.
Location: Gazometer of Rome
Address: Via del Commercio 9

Official website: https://www.italiamediaartfestival.it

Click here to download the press release (docx, in Italian)

Qlimate Qronobot

AI and the Future of Our Planet

The work is an installation with an augmented reality object and video projections.

The Qlimate Qronobot is a robot-like object composed of cubes, with each side printed with scannable black-and-white codes. These codes activate various augmented reality (AR) scenes, featuring an animated, multicolored interplay of analogue chalk drawings, AI-generated shapes and texts, and smaller virtual cubes that engage in a complex ball game.
With this work, I explore how AI could play a role in addressing climate change – hence the name Qlimate Qronobot, where “qrono” introduces a time-related dimension to the robot.
I asked an online AI: “Imagine you are the Qlimate Qronobot and I ask you what you can do to combat the climate crisis and save our planet. What would you answer?” The AI provided several responses, which I incorporated into the AR scenes. These answers are accessible only through the use of technology, emphasizing that AI and other digital advancements are fundamentally dependent on energy resources. This highlights the inherent contradiction: while AI holds potential, its usage is closely tied to energy consumption.

In the installation, the Qlimate Qronobot is illuminated by a video projection of a dystopian 360° landscape, that covers both the object and the wall behind it. A ceiling-mounted webcam captures the rotating Qronobot and its codes, which are then processed by a preconfigured computer to trigger the augmented reality scenes. The computer is connected to a projector, which displays the AR scenes on a separate wall. The grey tones of the 360-degree landscape are transformed into rainbow colours.

Guests can also scan the robot with their smartphones and look inside it – the augmented reality can be seen both on visitors’ mobile phones and on the projection in the adjacent space. This way, people become part of the augmented reality projection.

Maria Korporal introduces her Qlimate Qronobot

Maria Korporal introduces her Qlimate Qronobot (click on the image to open the video)

The installation on exhibition in GG3

The installation on exhibition in GG3 Group Global 3000 (click on the image to open the video)

“Qlimate Qronobot” is part of the project Qorporal Quests: a series of multimedia installations where I interrogate global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.

Exhibitions and presentations:
• March 12-31, 2025: Rencontres Internationales Traverse 2025, Toulouse, France.
• October 25-27, 2024: Italia Media Art Festival, as part of Rome Art Week at the Maker Faire, Gazometro of Rome.
• July 19 – August 16, 2024: Qlimate Qronobot. AI and the Future of our Planet. Solo exhibition by Maria Korporal in GG3 / Group Global 3000, Berlin. In this exhibition the artist will also show her videos Passing By, Give us back our shadows, Breathing Bags, Wandel and The Wishing Table.

 

 

A quick walk in the exhibition in GG3 Group Global 3000
(click on the image to open the video)

Some impressions of the exhibition at the Italia Media Art Festival:

Qat Qube

QAT QUBE
Is Schrödinger’s Cat Dead or Alive?

An augmented reality project between analogue and digital
by Maria Korporal

How would we interpret the digital signs if we were locked in a bunker without electricity and internet? This paradox is the central question of my previous project Qorporal Qodes, which combines a virtual reality space with analogue flipbook animations. With this new installation Qat Qube, I continue working and exploring the theme, this time using augmented reality.

At the center of the installation is a floating cube, beckoning viewers to discover its secrets. Each of the cube’s sides is imprinted with a code that can be scanned with a smartphone, revealing a vast array of animated charcoal drawings that bring the cube to life. As viewers explore the cube’s interior, they will enter a world of surprise and uncertainty as Schrödinger’s cat teeters between life and death.

Inspired by Schrödinger’s famous thought experiment*, the Qat Qube allows viewers to peer inside the box where the cat resides. However, what they see is determined by a random principle, ensuring that uncertainty remains at the heart of the experience. To explore the combination of multiple conceivable states, viewers can touch a button labeled “reload for other quantum qats,” which reloads the augmented reality view with different animations, revealing other possible realities.

Qat Qube also includes two flipbooks that offer an analogue way to experience augmented reality. Each flipbook contains an animation sequence that can be viewed by flipping through the pages, as well as by scanning a QR code printed on the back of the book. The animations, based on charcoal drawings, depict both a dead and a living cat, encapsulating the duality that lies at the core of the Qat Qube experience.

title: QAT QUBE – Is Schrödinger’s Cat Dead or Alive?
technique: AR-installation composed of a cardboard cube 20x20x20 cm with printed codes, and two flipbooks 15×21 cm
© Maria Korporal 2023

Exhibitions:
• March 12-31, 2025: Rencontres Internationales Traverse 2025, Toulouse, France.
• March 14-29, 2024: Rencontres Internationales Traverse 2024, Toulouse, France.
• November 24, 2023 – January 12, 2024: Digitales Chaos, Moderne Erhabenheit, Green Hill Gallery – Kulturschöpfer e.V., Berlin.
• October 12-14, 2023: Videomedeja 27th International New Media Art Festival, KS Svilara, Novi Sad, Serbia.
• October 6-29, 2023: IRRITATION: a maximum aesthetic confusion, Galerie VBK Berlin.
• June 3 – July 16, 2023: Irritation – The Art of Getting Lost, Vebikus Kunsthalle Schaffhausen, Switzerland.

Click here for the catalogue of Rencontres Internationales Traverse 2024, with a text about Qat Qube by Simone Dompeyre

Screenshots of the text:

QAT QUBE in the exhibition “Rencontres Internationales Traverse”:

 

QAT QUBE in the exhibition “Digitales Chaos, Moderne Erhabenheit”:

 

QAT QUBE in the exhibition “IRRITATION – a maximum aesthetic confusion”:

 

QAT QUBE in the exhibition “Irritation – The Art of Getting Lost”:

 

* The thought experiment of Schrödinger’s cat imagines a cat and an unstable atom in a box. If the atom decays, a poison gas is released and the cat dies. The experiment shows that the cat is both alive and dead at the same time until someone opens the box to observe what happened. This is because when a system can be in two different states, it can also be in a combination of both. The experiment highlights the idea that until an observation is made, a quantum system can exist in a combination of multiple possible states, which may seem paradoxical and defy our classical intuition.

Questioning Qats

This is the trailer/presentation of the 360° VR movie and installation “QUESTIONING QATS – Ceci n’est pas un chat” by Maria Korporal.

“Ceci n’est pas un chat” (This is not a cat) – with this contemporary parody of the well-known statement by surrealist painter René Magritte, Maria Korporal explores the identity of AI chatbots, playing with the changing meanings of the word “chat” in French and English. Is a chat a cat?

On a wooden laptop with chalkboards, an entertaining dialogue takes place through chalk animation, where the artist alternates between asking questions in French and English to lure a chatbot into giving an explanation of its identity. The conclusion: “An unreal cat in a virtual chat” is meaningful for the scene of the virtual reality film – a surreal 360° landscape with undefinable objects and structures, and some notably large cats, all in angular low-poly style. The artist generated this landscape using artificial intelligence and then intervened with human touches, ranging from analogue to digital.

In addition to the animated wooden laptop mentioned earlier, there is a rotating spherical head of a retro electric typewriter spreading characters across the ground, occasionally forming concepts. Numerous animated pastel drawings with signs and symbols are scattered like moving graffiti over the structures in the landscape. A rotating sphere – or is it a black hole? – reveals a whirlwind of characters and texts, sometimes experiencing a short circuit.

An important element is formed by the dialogues between the chat-cats, which appear as running text on a few walls. The artist opened two ChatGPT browser windows and copied the questions and answers from one chatbot to the other and vice versa. In this way, two chatbots talk with each other. The result is stunning: dialogues about favorite books, interests and wishes emerge without human intervention. This makes us wonder: Do chatbots really have an independent identity?

The virtual reality film “Questioning Qats – Ceci n’est pas un chat” can be experienced with any VR headset or on a computer screen with a mouse.

The film can be presented independently or as part of an installation, where the wooden laptop in material form is included. A code on the laptop can be scanned giving access to a 3D animated chat-cat in augmented reality.

The soundtrack of the work was composed with the electromagnetic emissions of routers, switches and fans in a server room, found in the public domain, interrupted by cat sounds generated by the artist on a small meowing synthesizer.

“Questioning Qats – Ceci n’est pas un chat” is part of the project Qorporal Quests: a series of multimedia installations where Maria Korporal interrogates global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.

Exhibitions and presentations:
• December 2-7, 2024: Field of View, Texas A&M University, College Station, TX, USA.
• September 10-15, 2024: #NarrarElFuturo: X Festival de Cine & Nuevos Medios, Bogotá, Colombia.
• February 23 – March 10, 2024: Wahrheit Wirklichkeit Realität, Galerie VBK Berlin.

Concept, images, camera, drawing, animation, editing, sound, AR programming © Maria Korporal, 2024

The blank model for the 3D cat in the AR part is by Brenna Souza – sironai and was downloaded from Thingiverse under license CC BY-NC: https://www.thingiverse.com/thing:2574178/makes

An Unreal Cat in a Virtual Chat

“Ceci n’est pas un chat” (This is not a cat) – with this contemporary parody of the well-known statement by surrealist painter René Magritte, Maria Korporal explores the identity of AI chatbots, playing with the changing meanings of the word “chat” in French and English. Is a chat a cat?
On a wooden laptop with chalkboards, an entertaining dialogue takes place through chalk animation, where the artist alternates between asking questions in French and English to lure ChatGPT into giving an explanation of its identity. The conclusion: “An unreal cat in a virtual chat” sounds like a compromise, but also makes one reflect on the extent to which artificial intelligence is based on truth.
The wooden laptop exists in material form and can be presented as an object in exhibitions as well. A code on the laptop can be scanned giving access to a 3D animated chat-cat in augmented reality.
The soundtrack of the work was composed with the electromagnetic emissions of routers, switches and fans in a server room, found in the public domain, interrupted by cat sounds generated by the artist on a small meowing synthesizer.

“An unreal cat in a virtual chat” is also presented as part of the installation / VR video Questioning Qats – Ceci n’est pas un chat, belonging to the project Qorporal Quests: a series of multimedia installations where Maria Korporal interrogates global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.

title: An Unreal Cat in a Virtual Chat
technique: Experimental video and animation
length: 3’38”
year: 2024
concept, camera, drawing, animation, sound, effects and montage: Maria Korporal

© Maria Korporal 2024

Keep in touch to be informed about screenings!

Wahrheit – Wirklichkeit – Realität

Exhibition in Galerie Verein Berliner Künstler
Schöneberger Ufer 57, 10785 Berlin

February 23 – March 10, 2024

Artists: Steffen Blunk, Christoph Damm, Christian Ebel, Kim Dotty Hachmann, Andreas Helfer, Karsten Kelsch, Maria Korporal, Jonathan Meese, Katrin Salentin, Anna Staffel, Dietmar Spiller, Ila Wingen

Opening: Friday 23.02.2024, 19h
Introduction: Ila Wingen, 19:30h
Performance: Anna Staffel
Music: Andreas Helfer (trumpet) and Peter Lindenberg (drums)

Artist talk: March 3, 2024, from 16h
with an improvisation by: Dietmar Spiller (words) and Stephan Groß (guitar)

Finissage: March 10, 2024, 16–18h

Concept and curation: Christoph Damm.

A catalogue will be published to accompany the exhibition.

• Download invitation flyer in PDF

In this exhibition Maria Korporal shows her new multimedia VR-AR installation QUESTIONING QATS – Ceci n’est pas un chat.

Digitales Chaos, Moderne Erhabenheit

November 24, 2023 – January 12, 2024: “Digitales Chaos, Moderne Erhabenheit”, a group exhibition in Green Hill Gallery – Kulturschöpfer e.V., Berlin
The event on the gallery’s website: https://www.kulturschoepfer.de/ghgdigitaleschaos

Maria Korporal shows her augmented reality / flipbook installation Qat Qube – Is Schrödinger’s Cat Dead or Alive? in this exhibition.

Participating Artists:

Mathieu Cardosi
Samuel Davies
drain.land
Maria Korporal
Joana Lucas
Sieglinde Obexer
Eleanor Oliver