Qorporal Quests

Qalvinist Qosmos

In my series of works Qorporal Quests, I explore the challenges of the digital world in times of crisis by combining analog and digital techniques—ranging from charcoal drawings and flipbooks to virtual reality, augmented reality, and artificial intelligence—encouraging reflection along the way. Following works on science, climate change, and artificial intelligence, my latest work, Qalvinist Qosmos, focuses on religion.
Qalvinist Qosmos is a work in progress – more details coming soon!

Exhibitions and presentations:
• January 23 – March 8, 2025: MeeresStern, INSELGALERIE Berlin.

Italia Media Art Festival

Maria Korporal was a guest artist in the first edition of the Italia Media Art Festival, which took place from the 25th to the 27th of October, as part of the Rome Art Week, at the Gazometro of Rome during the Maker Faire. She showed her augmented reality video installation QLIMATE QRONOBOT – AI and the Future of Our Planet

October 25-27, 2024 in Rome
Opening hours: 10 a.m. to 7 p.m.
Location: Gazometer of Rome
Address: Via del Commercio 9

Official website: https://www.italiamediaartfestival.it

Click here to download the press release (docx, in Italian)

Qlimate Qronobot

AI and the Future of Our Planet

The work is an installation with an augmented reality object and video projections.

The Qlimate Qronobot is a robot-like object composed of cubes, with each side printed with scannable black-and-white codes. These codes activate various augmented reality (AR) scenes, featuring an animated, multicolored interplay of analogue chalk drawings, AI-generated shapes and texts, and smaller virtual cubes that engage in a complex ball game.
With this work, I explore how AI could play a role in addressing climate change – hence the name Qlimate Qronobot, where “qrono” introduces a time-related dimension to the robot.
I asked an online AI: “Imagine you are the Qlimate Qronobot and I ask you what you can do to combat the climate crisis and save our planet. What would you answer?” The AI provided several responses, which I incorporated into the AR scenes. These answers are accessible only through the use of technology, emphasizing that AI and other digital advancements are fundamentally dependent on energy resources. This highlights the inherent contradiction: while AI holds potential, its usage is closely tied to energy consumption.

In the installation, the Qlimate Qronobot is illuminated by a video projection of a dystopian 360° landscape, that covers both the object and the wall behind it. A ceiling-mounted webcam captures the rotating Qronobot and its codes, which are then processed by a preconfigured computer to trigger the augmented reality scenes. The computer is connected to a projector, which displays the AR scenes on a separate wall. The grey tones of the 360-degree landscape are transformed into rainbow colours.

Guests can also scan the robot with their smartphones and look inside it – the augmented reality can be seen both on visitors’ mobile phones and on the projection in the adjacent space. This way, people become part of the augmented reality projection.

Maria Korporal introduces her Qlimate Qronobot

Maria Korporal introduces her Qlimate Qronobot (click on the image to open the video)

The installation on exhibition in GG3

The installation on exhibition in GG3 Group Global 3000 (click on the image to open the video)

“Qlimate Qronobot” is part of the project Qorporal Quests: a series of multimedia installations where I interrogate global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.

Exhibitions and presentations:
• October 25-27, 2024: Italia Media Art Festival, as part of Rome Art Week at the Maker Faire, Gazometro of Rome.
• July 19 – August 16, 2024: Qlimate Qronobot. AI and the Future of our Planet. Solo exhibition by Maria Korporal in GG3 / Group Global 3000, Berlin. In this exhibition the artist will also show her videos Passing By, Give us back our shadows, Breathing Bags, Wandel and The Wishing Table.

 

 

A quick walk in the exhibition in GG3 Group Global 3000
(click on the image to open the video)

Some impressions of the exhibition at the Italia Media Art Festival:

Questioning Qats

This is the trailer/presentation of the 360° VR movie and installation “QUESTIONING QATS – Ceci n’est pas un chat” by Maria Korporal.

“Ceci n’est pas un chat” (This is not a cat) – with this contemporary parody of the well-known statement by surrealist painter René Magritte, Maria Korporal explores the identity of AI chatbots, playing with the changing meanings of the word “chat” in French and English. Is a chat a cat?

On a wooden laptop with chalkboards, an entertaining dialogue takes place through chalk animation, where the artist alternates between asking questions in French and English to lure a chatbot into giving an explanation of its identity. The conclusion: “An unreal cat in a virtual chat” is meaningful for the scene of the virtual reality film – a surreal 360° landscape with undefinable objects and structures, and some notably large cats, all in angular low-poly style. The artist generated this landscape using artificial intelligence and then intervened with human touches, ranging from analogue to digital.

In addition to the animated wooden laptop mentioned earlier, there is a rotating spherical head of a retro electric typewriter spreading characters across the ground, occasionally forming concepts. Numerous animated pastel drawings with signs and symbols are scattered like moving graffiti over the structures in the landscape. A rotating sphere – or is it a black hole? – reveals a whirlwind of characters and texts, sometimes experiencing a short circuit.

An important element is formed by the dialogues between the chat-cats, which appear as running text on a few walls. The artist opened two ChatGPT browser windows and copied the questions and answers from one chatbot to the other and vice versa. In this way, two chatbots talk with each other. The result is stunning: dialogues about favorite books, interests and wishes emerge without human intervention. This makes us wonder: Do chatbots really have an independent identity?

The virtual reality film “Questioning Qats – Ceci n’est pas un chat” can be experienced with any VR headset or on a computer screen with a mouse.

The film can be presented independently or as part of an installation, where the wooden laptop in material form is included. A code on the laptop can be scanned giving access to a 3D animated chat-cat in augmented reality.

The soundtrack of the work was composed with the electromagnetic emissions of routers, switches and fans in a server room, found in the public domain, interrupted by cat sounds generated by the artist on a small meowing synthesizer.

“Questioning Qats – Ceci n’est pas un chat” is part of the project Qorporal Quests: a series of multimedia installations where Maria Korporal interrogates global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.

Exhibitions and presentations:
• December 2-7, 2024: Field of View, Texas A&M University, College Station, TX, USA.
• September 10-15, 2024: #NarrarElFuturo: X Festival de Cine & Nuevos Medios, Bogotá, Colombia.
• February 23 – March 10, 2024: Wahrheit Wirklichkeit Realität, Galerie VBK Berlin.

Concept, images, camera, drawing, animation, editing, sound, AR programming © Maria Korporal, 2024

The blank model for the 3D cat in the AR part is by Brenna Souza – sironai and was downloaded from Thingiverse under license CC BY-NC: https://www.thingiverse.com/thing:2574178/makes

An Unreal Cat in a Virtual Chat

“Ceci n’est pas un chat” (This is not a cat) – with this contemporary parody of the well-known statement by surrealist painter René Magritte, Maria Korporal explores the identity of AI chatbots, playing with the changing meanings of the word “chat” in French and English. Is a chat a cat?
On a wooden laptop with chalkboards, an entertaining dialogue takes place through chalk animation, where the artist alternates between asking questions in French and English to lure ChatGPT into giving an explanation of its identity. The conclusion: “An unreal cat in a virtual chat” sounds like a compromise, but also makes one reflect on the extent to which artificial intelligence is based on truth.
The wooden laptop exists in material form and can be presented as an object in exhibitions as well. A code on the laptop can be scanned giving access to a 3D animated chat-cat in augmented reality.
The soundtrack of the work was composed with the electromagnetic emissions of routers, switches and fans in a server room, found in the public domain, interrupted by cat sounds generated by the artist on a small meowing synthesizer.

“An unreal cat in a virtual chat” is also presented as part of the installation / VR video Questioning Qats – Ceci n’est pas un chat, belonging to the project Qorporal Quests: a series of multimedia installations where Maria Korporal interrogates global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.

title: An Unreal Cat in a Virtual Chat
technique: Experimental video and animation
length: 3’38”
year: 2024
concept, camera, drawing, animation, sound, effects and montage: Maria Korporal

© Maria Korporal 2024

Keep in touch to be informed about screenings!

Wahrheit – Wirklichkeit – Realität

Exhibition in Galerie Verein Berliner Künstler
Schöneberger Ufer 57, 10785 Berlin

February 23 – March 10, 2024

Artists: Steffen Blunk, Christoph Damm, Christian Ebel, Kim Dotty Hachmann, Andreas Helfer, Karsten Kelsch, Maria Korporal, Jonathan Meese, Katrin Salentin, Anna Staffel, Dietmar Spiller, Ila Wingen

Opening: Friday 23.02.2024, 19h
Introduction: Ila Wingen, 19:30h
Performance: Anna Staffel
Music: Andreas Helfer (trumpet) and Peter Lindenberg (drums)

Artist talk: March 3, 2024, from 16h
with an improvisation by: Dietmar Spiller (words) and Stephan Groß (guitar)

Finissage: March 10, 2024, 16–18h

Concept and curation: Christoph Damm.

A catalogue will be published to accompany the exhibition.

• Download invitation flyer in PDF

In this exhibition Maria Korporal shows her new multimedia VR-AR installation QUESTIONING QATS – Ceci n’est pas un chat.

Digitales Chaos, Moderne Erhabenheit

November 24, 2023 – January 12, 2024: “Digitales Chaos, Moderne Erhabenheit”, a group exhibition in Green Hill Gallery – Kulturschöpfer e.V., Berlin
The event on the gallery’s website: https://www.kulturschoepfer.de/ghgdigitaleschaos

Maria Korporal shows her augmented reality / flipbook installation Qat Qube – Is Schrödinger’s Cat Dead or Alive? in this exhibition.

Participating Artists:

Mathieu Cardosi
Samuel Davies
drain.land
Maria Korporal
Joana Lucas
Sieglinde Obexer
Eleanor Oliver

 

IRRITATION

Three cultural institutions from two countries have joined forces to continue the artistic dialogue with each other that already began in Berlin in 2022 with IRRITATION – Preview and continued in Schaffhausen in June 2023 with IRRITATION: The Art of Getting Lost.

Opening of the third stage
Exhibition IRRITATION: a maximum aesthetic confusion
6.10.-29.10.2023
Verein Berliner Künstler, Schöneberger Ufer 57, 10785 Berlin

Opening: 06.10.2023, 19:00 hrs
Welcome and short introduction by Sabine Schneider and Simone Kornfeld.

Artists talks and interview dialogues will be produced and published daily during the exhibition period. On Sunday 15.10.23 at 16h there will be a vocal performance by SOOKI. Finissage 29.10.23, 16h with a performance by Alexandra Moskovchuk and catalogue presentation.

IRRITATION – a maximum aesthetic confusion is the 3rd part of the joint multimedia exhibition by artists living in Switzerland and Berlin with the generic term “Irritation”. In the previous exhibition at VEBIKUS Kunsthalle Schaffhausen, subtitled “The Art of getting lost”, the focus was on socio-political and socio-critical themes of current developments, where “Irritation…” was thought of in more concrete terms.

In Berlin, the idea of creative disorder and its resulting possibilities for social transformation processes is taken as a starting point. With the credo: art is a daughter of freedom. Only error is life… (loosely based on Schiller), in the sense of confusion, aberration, irritation as a concept of rediscovery through uncertainty, confusion, confusion, excitement.
The concept envisages a dialogue between 10 Swiss positions and 10 German artists, curated in cooperation with VEBIKUS Kunsthalle Schaffhausen and FATart Schaffhausen.

Idea and overall concept: Simone Kornfeld.

A catalogue will be published to accompany the exhibition.

In this exhibition Maria Korporal shows her AR installation QAT QUBE – Is Schrödinger’s Cat Dead or Alive?.

 

IRRITATION – a maximum aesthetic confusion

Artists: Sandra BECKER • Judith BRUNNER • Angelika DREHER • Renate EISENEGGER • Simone KORNFELD • Maria KORPORAL • Ina LINDEMANN • Ameneh MOAYEDI • Angela MARZULLO • Marianne METTLER • Alexandra MOSKOVCHUK • Ursina Gabriela ROESCH • Corinna ROSTECK • Leo Bettina ROOST • Sabine SCHNEIDER • SOOKI • Andrea SUNDER-PLASSMANN • Sigi TORINUS • Rosemarie VOGT-RIPPMANN • Ila WINGEN • Ying XU

A cooperation project VBK Berlin – VEBIKUS Kunsthalle Schaffhausen & FATart
Simone Kornfeld: Project initiator and curator VBK Berlin
Angelika Dreher, Ying Xu: Curators VEBIKUS Kunsthalle
Martina Venanzoni: Curator FATart

• Download invitation flyer in PDF

• Download press release in PDF (with images and links of the participating artists)